We often hear about the decline in cinema, the cultural decline, how everything is eternally somehow worse than before. I’m sure even I’ve been responsible for some of that on occasion. And so, I present you with this list of some of the my favourite things in 2014:
Forget what anyone says, I think it was a bumper year for movies and there were loads that I saw that I really liked. An early highlight at the beginning of the year was Under The Skin which, while not to everyone’s taste, I really enjoyed. I loved the minimalistic feel of it, a narrative sparsity that never overburdened what was happening on screen. I also got to see the wonderful Laputa – Castle in the Sky at the BFI, which was a wonderful experience. Laputa is my favourite Miyazaki movie, so it was wonderful to see it on the big screen. It was also the year of Tom Hardy; as well as a scenery chewing performance in Peaky Blinders, I loved Tom Hardy in Locke and The Drop. The former, again, was wonderfully sparse; just Tom Hardy, in a car, talking himself and others through the repercussions of his decision. I thought it was wonderfully executed. The Drop didn’t make much of an impact, a lot of people hadn’t even heard of it, which surprised me. But it was a really nice slow burn of a movie and Tom Hardy is excellent again. One film I wasn’t expecting to enjoy as much as I did was Gone Girl. I’d never read the book, nor heard much about it before seeing it, so it was great to be taken through the films twists and turns. And finally, it would be churlish not to mention Guardians of the Galaxy. Silly, flawed, slightly ridiculous? Sure. But in my view the best of film of the Marvel Universe so far; joyous fun that doesn’t diminish on rewatching and as close to a musical as we’ll likely ever see in big budget superhero blockbusters.
I had a good run reviewing Peaky Blinders this year, but lets face it: 2014 was all about True Detective. The combination of Nic Pizzolatto’s script, Cary Fukunaga’s directing, Adam Arkapaw’s cinematography and Matthew McConaughey’s acting made this must-watch TV. Utterly compelling in its visuals and narrative, I know I’m not alone in being incredibly excited for what season 2 has to offer. A new cast, a new location, a new crime and overall feel, we’re all hoping the creative team can pull another piece of genius out of the bag.
It would be impossible not to mention London Screenwriters’ Festival 2014, which involved meeting, and re-meeting so many wonderful people. The people, fellow creatives all, was more important than even the tentative nibbles from production companies for Underworld Calling or the excellent feedback from the Actor’s Table Read. These people continue to be friends, critics, supporters and cheerleaders, in a community I’m proud to be part of.